One Illustrator who takes their interpretation of mid-century
to the limit would be Robert Gillmor. He also workd as a natural history
illustrator and is most well-known because of his cover illustrations for the “Collins
new naturalist” book series. His work tends to be more reserved in colour
pallet and doesn’t focus on geometric angels as some mid-century style
illustrators do, Instead his work extends on a more organic feel. Most of his
work consists of traditional paintings of print work.
The image above shows a cover illustration from a
Collins new naturalist edition. This image has an interesting colour use as
most of the image is made up of different shades of green. This keeps the image
looking natural and also helps the white flowers stand out. The back drop of
the piece is particularly interesting as it has similarities to traditional
British pattern work. Despite the flat tone of the image there is still a
respectable amount of detail within both the grasshopper and the plants. The image
still keeps a feel of realism about it which is helped because of this small attention.
The second image shows a print of a starling bird created
for a stamp design. This illustration seems a bit more colourful then the last
and it also has a much brighter colour palette. There is still a lot of green
but the dark contrast of the subject bird helps it to stand out from the light
background. On the topic of the background, there is a really simplistic look
to the flower bed but it still remains an interesting feature of the image.
The last illustration is from another Collins new naturalist
book cover. This image has a nice sense of contrast between its colours. It’s quit
a simplistic image in its construction and composition but there clearly has
been a lot of thought put into this piece. It’s also worth noting that most of
the image is made up of different layers of blue tones. This helps the yellow light
to stand out and helps the landmass to tie into the ocean scene. The birds are
also the same colour as the Light House which makes them blend in to the illustration.
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